Wednesday, December 8, 2010

Historical Typography


In Old Ellicott City, MD this type is found on a B& O railroad bridge that passes through the town. The classic typeface signifies not only the history of the bridge, but the history of the town, itself. Members of the Ellicott City Volunteer Fire Department created the image. I think the font they chose to use gives the entrance into Old Ellicott City and very friendly and welcoming feel. It also fits in well with its historical surroundings.

Photo: http://www.flickr.com/photos/erinshappylittleworld/1098159430

U.S. Typography

The United States of America was the first to create a National Park system, beginning with Yellowstone National Park in 1872. Signage has always been necessary to help mark land and direct visitors! This example of U.S. typography found on National Park signs is consistent and has been unchanged for nearly 150 years. Another consideration of this U.S. type example – it’s always printed in white on a brown background. Branding!

Photo: http://www.tdtcompanion.com/NPS/Glacier/Default.aspx

Historical Typography Reused in a Contemporary Design



The O’s tee shirt featured is an example of historical typography reused in a contemporary tee shirt design. The type chosen is meant to give the tee a vintage look and represent the year O’s were established. I like how the tee uses two different types; both have a historical look with references to different eras. I’m especially fond of the “1954” type – Futura? Go O’s!

Photo: http://www.fansedge.com/Baltimore-Orioles-Banner-47-Scrum-Basic-Tee-_1859791472_PD.html

Suburban Typography

One of the most recognizable signs in suburbs across America is a FOR SALE sign, especially in recent years. Although the fonts may vary slightly from brokerage to brokerage, the basics are the same: for sale signs must use a typeface that is clean, large, and very legible for a passerby. The image here uses a simple, sans serif type. It’s both familiar and easy to read.







Photo: https://www.arizonasignsandprinting.com/index.php?cPath=26_81&osCsid=96398e54fe97f949f2a86c5f6f412cd7

Distressed Type



YUM. Little Italy in Baltimore is one of my favorite spots. Delicious food and desserts, friendly people, and the best Bocce court in town. This image here is an example is distressed type. I think the type gives a warm and homey feel…a welcome message for both visitors and locals. I’m pretty sure it will continue to look even better with time and age!

Photo: http://www.baltimorecondoloft.com/eight50-aliceanna-condos-in-downtown-baltimore-a-new-life-for-you-in-inner-harbor-east/

Typographical Error

Need a good chuckle? This photo made me laugh out loud. It’s just so ironic.



Good news is, although the mistake was embarrassing and captured on film, it’s easy to fix. Some white paint and a few hours to dry, the mistake is gone. Unfortunately, mistakes in print media, not so easy to fix…

A few years ago, my husband received his copy of Towson University’s magazine with a glaring error – the magazine featured an article about a reunion class and the couple who hosted the reunion. Unfortunately, the magazine was published with the hosts’ names printed as “(??? ???).” Ahhh! Clearly, someone forgot to go back in and insert the names. Yikes.

I feel terrible for whoever made the mistake, but have tried to learn from it. I’m so paranoid about sending things to the printer…everything goes past at least four sets of eyes. However, we are human and mistakes are bound to happen.

Photo is copyrighted by AP and was found on this site: http://www.onetipaday.com/2009/04/09/spell-checker-for-msn-messenger/

Tuesday, December 7, 2010

The Politics of Type

Every four years, lawns across America become canvases for presidential political signage. To the untrained eye, the careful consideration of font, color, and type size may not be appreciated. However, countless hours were spent strategizing with graphic artists who help to create and shape the perfect message for the 16” x 24” sign of a presidential hopeful. For Obama, Clinton, and McCain, the politics of typeface played a memorable role during the 2008 presidential primary race and the typefaces selected give us insight into each candidate’s politics.

Designers John Slabyk and Scott Thomas (“Gotham (typeface)”) chose Gotham typeface to represent President Obama’s 2008 campaign. The typeface was “designed by Tobias Frere-Jones in 2000. Gotham's letterforms are inspired by a form of architectural signage that achieved popularity in the mid-twentieth century, and are especially popular throughout New York City” (“Gotham”). The typeface is no-nonsense, attractive, and unassuming (“Gotham”). In line with President Obama’s campaign mission, Gotham is meant to be familiar, friendly, and confident. Interesting fact, Gotham was originally designed for GQ magazine (“Gotham (typeface)”), perhaps a nod to the popularity a cool-factor behind Obama’s campaign?

For Hillary Clinton, Baskerville was chosen to represent the former First Lady’s campaign for the Oval Office. According to Typophile, “Baskerville is a ‘transitional’ typeface, designed by John Baskerville in England in the mid-18th century, revived in the early 20th century and widely used for books and other long texts” (“Baskerville”). Baskerville is both respectable and conservative. The typeface seems classic and steadfast, representative of a candidate with whom the U.S. voting population has some familiarity.

Finally, McCain’s party chose Optima, “a humanist sans-serif typeface designed by Hermann Zapf between 1952-1955 for the D. Stempel AG foundry” (“Optima”). According to Ellen Lupton, “Optima attempted to merge characteristics of serif and sans serif typefaces. You could call it a centrist font. I’m sure John McCain’s design consultants know that Optima is the typeface used on Maya Lin’s Vietnam Memorial. Mr. McCain’s image is inexorably tied to his status as a war hero; this is his story, and Optima helps him tell it” (“McCain’s Optimum Look”).

In conclusion, although it’s doubtful the candidates themselves selected the typefaces to signify their presidential campaigns, nonetheless, designers were consulted to help choose a typeface that represented the mission, values, and image of his or her campaign. Typeface plays an important role in politics because not only does a politician need to use type to display the most important message, his or her name, but the candidate needs type to convey a memorable political mission statement. While it’s true that typeface probably won’t make or break a political campaign, its value cannot be underestimated in regard to conveying a political message.

Works Cited

Charles Apple. “Use the Gotham typeface and the voters will come.” April 3, 2008. (Obama photo) http://www.visualeditors.com/apple/2008/04/use-the-gotham-typeface-and-the-voters-will-come/.

Charles Rubinoff. “The Design of Politics.” May 6, 2008. (McCain photo) http://charlesrubinoff.com/blog/.

Emvergeoning. “Faces of Politics.” May 21, 2008. (Clinton photo) http://www.emvergeoning.com/?p=1273.

Hoefler & Frere-Jones. “Gotham.” December 6, 2010.http://www.typography.com/fonts/font_overview.php?productLineID=100008.

The New York Times. “McCain’s Optimum Look.” April 21, 2008. http://campaignstops.blogs.nytimes.com/2008/04/21/mccains-optimum-look.

Typophile. “Baskerville.” December 6, 2010. http://typophile.com/node/12622.

Wikipedia. “Gotham (typeface).” December 2, 2010. http://en.wikipedia.org/wiki/Gotham_(typeface).

Wikipedia. “Optima.” December 5, 2010. http://en.wikipedia.org/wiki/Optima.